Happy to share some new writing (creative non-fiction, you guys!) in American Sublime, entitled “The Music of Moby-Dick.” Enjoy!
Hi everyone – so I have some new writing coming out that you can get your hands on! Actually, if you donate to a good cause, you can get your hands on some of my writing! My friend Jen has started Pocket Change Magazine, a journal of stories, poems, and art dedicated to “making change.” The concept is simple: Each volume chooses a charity or cause as its target. Simply donate and you’ll receive the e-mag in return. The first two issues are up now here, with donations going towards the Syrian Refugees and the survivors of the Orland Pulse nightclub shooting. I have a story in each. Enjoy!
A few weeks ago we had the dust-up about J.K. Rowling’s new story on Pottermore, and it raises the question of how fiction writers should approach writing what they don’t know. As someone who wrote a still-in-the-drawer first novel about another culture (ironically, the Navajo, like Ms. Rowling’s story), I have some thoughts on cultural appropriation and fiction writing: Continue reading
I’ll never be able to experience reading my novel like I would experience reading any other novel, because I know everything, I’ve known the end since the beginning, I know the cut scenes, the way the characters breathe, what happens in each moment. There’s no discovery of a first-time reader, there is only omniscience.
We’ve all been there, on that website taking the Myers-Briggs personality test. Then you get an answer, and you’re like, “Oh my gosh YES! I am a ____! Life is solved!” and then you forget what you four letter acronym is two weeks later and all is lost. (Just me?)
Anyway, Myers-Briggs, or the Myers-Briggs Type Indicator (MBTI) is a test used to pinpoint where people fall on the scale of personality characteristics and behavior asserted by Carl Jung in his research. According to the test’s website, “The essence of the theory is that much seemingly random variation in the behavior is actually quite orderly and consistent, being due to basic differences in the ways individuals prefer to use their perception and judgment.” Continue reading
Having just finished a first draft of my novel, the thing that’s most on my brain right now is revision, and the question of how much. I don’t have a great answer for that, but let’s look at a few things:
1. Revision is necessary. It is often said that the best works are those that are written in revision. Early on in my writing, I was against it, and had the mindset that what I wrote was beautiful and glorious and perfect! I’ve learned my lesson. Revision is a great way to really focus in on the language, to stop and dwell with a passage or phrase and make it truly what you want it to be. Revision is also necessary for large plot consistencies and making a character’s arc what it needs to be.
What does your main character need to change? First you need to know what kind of change your character needs.
That’s where I was lacking a little bit. My ending was fuzzy – I figured I would figure it out when I got there – but it included a kind of intellectual awakening for my main character. The problem? He’s already an intellectual guy. Continue reading